Kill Hannah - Wake Up The Sleepers
04 Living In Misery
Recorded By [Amanda Palmer's Vocals] - Owen Curtin
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Kill Hannah - Wake Up The Sleepers
04 Living In Misery
Recorded By [Amanda Palmer's Vocals] - Owen Curtin
Hi All,
I went to this last year in support of the Irish band Fred (See video below). This year we will be there to promote The Bridge. We hope to see you all there so let us know if you can make it.
THE BOSTON MUSIC CONFERENCE IN SEPTEMBER TO BRING THE MUSIC INDUSTRY’S ATTENTION TO THE REGION’S MUSICAL TALENT
BOSTON, MA - The second annual Boston Music Conference (BMC) will be held September 24 and 25, 2009. The mission of the Boston Music Conference is to educate and empower aspiring artists by providing them with information and tools necessary to pursue a career in music.
The Boston Music Conference is a two-day event that includes workshops, showcase performances, panel discussions and various networking and social events. Topics to be covered include “Brands, Bands and Fans”, “Deals and Distribution”, “Breaking into Crossover Markets and International Deals”, “The Digital Age of Music”, “Getting Your Music in Games”, “Audio Engineering”, “Songwriting” and more. Complete information is available at www.BostonMusicConference.com
The overarching theme of the conference this year is the impact of digital technology on the music industry. Some of the subcategories to be covered include how new digital distribution platforms are creating opportunities, new channels of digital revenue and some of the innovations that are fueling growth.
The BMC brings the attention of the music industry on a national level to the talent and opportunity that exists here in Boston. Top music industry executives and A&Rs from major labels including Sony, EMI, Universal and Motown will be present to share their experiences and advice with attendees, view the talent Boston has to offer during the showcases and talk one on one with attendees.
Some of the industry’s top music industry companies, iZotope, Harmonix, Sonicbids, Nimbit, BMI and the Recording Academy will be present at the Boston Music Conference as well.
Artists who would like to participate in the showcase performances are encouraged to submit samples of their music through Sonicbids.com/bmc2009 or via email at info@bostonmusicconference.com
The conference is $99 in advance and $150 if purchased at the door. Students at Berklee, New England Conservatory, Emerson, AI and Northeastern can receive a 40% discount by sending an email from their school email address to info@bostonmusicconference.com and they will receive a discount code. To get your school added to the list of schools eligible for a discount call 617 834 0552 or email jody@bostonmusicconference.com
Workshops for the event will be held Thursday September 24, from 11 to 5:30 at Mojitos at 48 Winter Street in Downtown Crossing, followed by Showcase Performances from 6 to 11 at Mojitos at Pearl in the Roxy Complex located at 279 Tremont Street. The conference will be held at the Roxy Tremont Ballroom at 279 Tremont Street in the Theatre District, Friday September 25 from 11 to 6.
The goal of the Boston Music Conference (BMC) is to educate and empower the city’s aspiring talent who are interested in pursuing a career in music by bringing the resources and information to them in Boston. The BMC is part of an organized long-term initiative to bring national attention to Boston as a source of major talent within the music industry and develop local talent.Then, we tracked sustained chords from Reason's "Maelstrom" synth, with its filters bypassed.
Finally, we convinced Owen to bust out his beautiful old bass and lay some stank down. The bass was tracked into Pro Tools through a Universal Audio 2-610 DI/pre. The first passes used the Mutator's amplitude follower to create an auto-wah/envelope filter effect:
The second passes used the Mutator's key input to trigger the envelope. We reused the dry drums and offset them by a quarter note for this effect:
This isn't Gearslutz, so we weren't especially concerned about matching volumes for comparison. The bright, fizzy character of the two pole filter, made famous by ARP and Oberheim in the 1970s, is apparent at any level. It can be a subtle difference, depending on the program material and filter settings, but it's a euphonic one, and both modes will likely see use at the Bridge.
New Work Updates from The Bridge
Well the Producer's desk has finally been completed, and set in place, and it is sure looking good. Thanks Ben for doing such great job!
If you want to see more photos of the studio, check out our Photobucket page. We will update it from time to time so you can all check out the progress in the studio. And as always be sure to check out what's going on with AR Classic Records.
What A Guy/ What A Class
Thanks to some HTML wizardry, i have solved the photo overlapping issues on the blog. The same issues that i single handedly created in the first place. In the future, anybody who wants to make a post within the blog should follow the template of a previously posted entry, i.e. copy and paste the source view of an older blog entry into your new entry, then go to the wysiwyg view, (where the copied and pasted content of the older template blog should appear) and then delete and reenter text/pictures in the appropriate places. This may seem redundant, which it is, so if you can make entries without all these steps by all means do so. This method is just a surefire way to avoid any formatting issues.
Owen taught a fairly good sized class here at The Bridge today, and it went well. Having a spacious studio packed with good equipment is certainly a better alternative to a cramped classroom with a couple mac's in it. The students got to set up and record live drums & also experiment with some different mic techniques, such as isolating the bass drum mic with some well placed freestanding gobos.
Ben also finished assembly on the first of 2 diffusor panels, and Janos and Owen seem excited about it. Mounting it on the wall before installing the bass traps underneath it should be interesting but he knows what hes doing.
Wednesday, March 25, 2009
String Quartet For a Film Score
Ben Phillippo came in to record several selections he composed for his film. Allan Espinosa and others played in this, out first session on the stage at The Bridge. The live room sounds so amazing. The Cascade Ribbon microphones set 20 feet back from the quartet gave a truly remarkable sound.
Thursday, October 30, 2008
Live Stage to Record your Band
So as you can see, the live space is a beautifully large. We have room in here for a marching band! That fort of gobos / sound baffles was made from Ready Acoustics frames. They worked quite well for isolating a guitar amp from the drum set you can see on the stage. The sound of the room mic placed at the camera’s perspective sounds more like delay. Adding that mic to the mix can not even be compared to reverb effects.
Monday, March 2, 2009
The Otari Status
It takes a lot of cable to move the PSU into the mech. room. Terry was kind to get this job started for us. We are moving all the amps and PSU for the Otari Status out of the control room. We hope this will let us use a bit less AC in the studio.
Wednesday, January 21, 2009
Rack Time
Ben Foote is hard at work building the rack / producers desk. Work still goes on. We just finished a film for http://www.bellarosefilms.com
Monday, February 9, 2009
Diffusion and Absorption
We have not finalized the plans but we are looking at diffusion along the far wall and wood floors. Also a Curtain to pull along the wall. Mike McDiggitz helped us by creating a spread sheet that determines the ideal Quadratic diffuser or any span. See it here.
Friday, February 13, 2009
Moving Along
The Rack is in place and tv is up. Thank you Ben Foote. The console is working great as well thanks to Andrew Lypps.
Wednesday, February 25, 2009
Naked Chips
Jon, Jake, Chris and Ryan came in for 36 hours of recording and overdubs. In the end we got a great thank you note.
“Thanks again for your suggestions, and for giving us a kickass recording. We really appreciate it, and hopefully will work together sometime in the near future.
Your feedback saved our music. All the overdubs, new parts, re-written solos, it all made a huge difference.
Thanks man,
Chris”
Saturday, February 28, 2009
Any size band could record in this room
So as you can see, the live space is a beautifully large. We have room in here for a marching band! That fort of gobos / sound baffles was made from Ready Acoustics frames. They worked quite well for isolating a guitar amp from the drum set you can see on the stage. The sound of the room mic placed at the camera’s perspective sounds more like delay. Adding that mic to the mix can not even be compared to reverb effects.
I miss our Yamaha NS-10s
Looking at the photo from the Naked Chips overdub session reminds me that I can’t wait until the NS-10 woofers show up in the mail. It was still a great session working with these guys. They have some serious musicianship in that band. I think they may be using http://www.merch-music.com/ to create CD download codes. They could then put the codes onto Tee Shirts or Frisbees and sell the code and product as one fun and inexpensive item.
Wednesday, March 4, 2009